Born 1971, Seoul, South Korea
Lives and works in Berlin, Germany
and Seoul, South Korea

2015 Atelier Calder. Artist residency. Saché, France.
1999 Staatliche Hochschule für Bildende Künste Städelschule. Meisterschüler title. Frankfurt am Main, Germany.
1997 Cooper Union. Exchange program grant. New York.
1994 Seoul National University (B.F.A.).

Solo Exhibitions

Haegue Yang: Mesmerizing Mesh – Paper Leap and Sonic Guard, Galerie Barbara Wien, Berlin
Haegue Yang: Double Soul
, SMK – Statens Museum for Kunst, Copenhagen

Haegue Yang: Strange Attractors, Tate St. Yves, Cornwall*
Haegue Yang: The Cone of Concern, MCAD, Manila
MMCA Hyundai Motor Series 2020: Haegue Yang – O2 & H2O, Seoul*
Haegue Yang: Emergence
, Art Gallery of Ontario, Toronto*

In the Cone of Uncertainty, The Bass Museum of Modern Art, Miami*
Handles, The Museum of Modern Art – MoMA, New York
When the Year 2000 Comes, Kukje Gallery, Seoul*
The Seventh Continent, 16th Istanbul Biennial, Istanbul
Tracing Movement, South London Gallery, London
Forum for Drone Speech – Singapore Simulations, National Gallery Singapore

Chronotopic Traverses, La Panacée-MO.CO, Montpellier*
Triple Vita Nestings
, IMA, Brisbane
Tightrope Walking and Its Wordless Shadow, Triennale di Milano, Milan*
Haegue Yang: VIP’s Union – Phase II, Kunsthaus Graz, Graz
ETA 1994-2018. 2018 Wolfgang Hahn Prize, Museum Ludwig, Cologne*

Quasi-ESP, Galerie Chantal Crousel, Paris
Silo of Silence – Clicked Core, KINDL – Zentrum für zeitgenössische Kunst, Berlin
Haegue Yang: The VIP’s Union, Kunsthaus Graz, Graz
Maison Hermès Dosan Park, Seoul
Kurimanzutto, Mexico City
Quasi-Pagan Seasonal Shift, Aïshti by the Sea, Antelias

Quasi-Pagan Modern, Galeries Lafayette Haussmann, Paris
Lingering Nous, Centre Pompidou, Paris*
An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto*
Quasi-Pagan Serial, Hamburger Kunsthalle, Hamburg
Quasi-Pagan Minimal, Greene Naftali, New York

Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing*
Temporary Permanent, Galerie Barbara Wien, Berlin
Sample Book, dépendance, Brussels
Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul

Follies, Merfach, Bonner Kunstverein, Bonn
Accommodating the Epic Dispersion – On Non-cathartic Volume of Dispersion, Art Unlimited, Basel
Man in the Mirror, Vanhaerents Art Collection, Brussels

Anachronistic Layers of Dispersion, Henry Art Gallery, Seattle
Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore*
Journal of Echomimetic Motions, Bergen Kunsthall, Bergen*
Journal of Bouba/kiki, Glasgow Sculpture Studios, Glasgow*
Corrugated Totems with Glitter Dance, Vitrines sur l’Art – Museums of Strasbourg, Galeries Lafayette, Strasbourg
Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg
Ovals and Circles, Galerie Chantal Crousel, Paris
Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston

Accomodating the Epic Dispersion, Haus der Kunst München, Munich
Ajar, La Douane, Galerie Chantal Crousel, Paris
The Tanks: Art in Action, Tate Modern, London
Troubling Space: The Summer Sessions, The Zabludowicz Collection, London
Wide Open School, Hayward Gallery, London
Roll-Cosies, Kunsthalle Marcel Duchamp, Cully
Multi Faith Room, Greene Naftali, New York
Haegue Yang, Rivane Neuenschwander, Overbeck-Gesellschaft, Lübeck

Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen
The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado*
The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol
Teacher of Dance, Modern Art Oxford, Oxford*
Arrivals, Kunsthaus Bregenz, Bregenz*

Voice and Wind, New Museum, New York
Voice Over Three, Artsonje Center, Seoul*
Closures, Galerie Barbara Wien Wilma Lukatsch, Berlin

Integrity of the Insider, Walker Art Center, Minneapolis
Condensation, South Korean Pavilion, 53rd Biennale, Venice*

Symmetric Inequality, Sala Rekalde, Bilbao*
Asymmetric Equality, REDCAT, Los Angeles*
Siblings and Twins, Portikus, Frankfurt a.M.*
Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg
Lethal Love, CUBITT, London

Unpacking Storage Piece, Haubrokshows, Berlin*
Foxed in the Forest, dépendance, Brussels
Seven Basel Lights, Art Statements with Galerie Barbara Wien, Basel*
Remote Room, Galerie Barbara Wien, Berlin

Sadong 30, Incheon*
Unevenly, BAK, basis voor actuele kunst, Utrecht*

Cremer-Preis, LWL – Landesmuseum für Kunst und Kulturgeschichte, Münster

Kasse, Shop, Kino und Weiteres, Hessisches Landesmuseum, Darmstadt*
Unfolding, dépendance, Brussels
Alterity Display, Lawrence O’Hana Gallery, London
Unfolding Places, Galerie Barbara Wien, Berlin

Unrealistic to Generalize, Public, Paris

Air and Water, Dresdner Bank, Frankfurt a.M.*

Sonderfarben, Kommunale Galerie, Darmstadt*

Blaue Wiese – Farbige Sprache, Künstlerhaus Mousonturm, Frankfurt a.M.
Bejahung und Verneinung, Kolster, Galerie für junge Kunst, Frankfurt a.M.
Lacquer Paintings 2000, Galerie Barbara Wien, Berlin

Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt a.M.*

rraum, Frankfurt a.M.

Group Exhibitions

Plan B: Climate Change and the New Sublime, Palazzo Bollani, Venice - Curated by Nicolas Bourriaud
Shifting the Silence, SFMOMA, San Francisco
Moved by Schlemmer. 100 Years of Triadic Ballet, Staatsgalerie Stuttgart
Sound as Sculpture, The Warehouse, Dallas

The Lines Fall Where They May, STPI – Creative Workshop & Gallery, Singapore (upcoming, November)
A Higher Calling, White Space Beijing, Beijing (upcoming, October)
Public Art Programme Expo 2020 Dubai, Dubai
EURASIA − A Landscape of Mutability, M HKA, Antwerp
DMZ Art & Space Platform 2021, South Korea
The Paradox of Stillness
, Walker Art Center, Minneapolis
APMA, Chapter Three, Amorepacific Museum of Art, Seoul
To Have and to Share – Who Owns the Collection?, Galerie für Zeitgenössische Kunst Leipzig

Noire Lumière, HOW Art Museum, Shanghai
The Clark Art Institute, Williamstown
One Espace at a Time,
Seoul Mediacity Biennale 2020, Seoul
Gwanju Biennale 2020: Minds Rising, Spirits Tuning, Gwangju
Pine’s Eye, Talbot Rice Gallery, Edinburgh
Arts Crafts, Galerie für Zeitgenössische Kunst Leipzig, Leipzig
Arts Crafts, Kestnergesellschaft, Hanover
Things Things Say, Barcelona Contemporary Art Centre, Barcelona

Arts_Crafts, Kunsthaus Graz
Hidden Beauty, Kunsthalle Nürnberg
Art Encounters Biennial 2019, Timișoara
The Seventh Continent, 16th Istanbul Biennial 2019
Homo Faber, Asia Culture Center, Gwangju
40,000. A Museum of Curiosity, Triennial of Small-Scale Sculpture, Fellbach
Less is a Bore: Maximalist Art & Design, Institute of Contemporary Art / Boston
Work, Work, Work, Gallery of Modern Art, Brisbane, Queensland
Materials and Objects, Tate Modern, London
And Berlin Will Always, Berliner Festspiele, Gropius Bau, Berlin
An Opera for Animals, Para Site, Hong Kong
Mere Constructions, Kanal – Centre Pompidou, Brussels
The Geffen Contemporary, The Museum of Contemporary Art (MOCA), Los Angeles

Minimalism, National Gallery Singapore
Wild West, Foundation De 11 Lijnen, Oudenburg
Suspension – A History of Abstract Hanging Sculpture. 1918–2018, Palais d’Iéna, Paris
The World on Paper, Deutsche Bank Collection, Palais Populaire, Berlin
Abenteuer Freundschaft, Kunstsaele Berlin
The World to Come: Art in the Age of the Anthropocene, Harn Museum of Art, Gainesville, Florida
A Time Capsule Revisited: A New Installation of Works Made by Women for Parkett (1984-2017)
GMoMA Collection Highlights, Gyeonggi Museum of Modern Art, Ansan, Korea
Beautiful World, Where Are You?, Liverpool Biennial 2018, Tate Liverpool
Generations: Künstlerinnen im Dialog Part 1, Sammlung Goetz, Munich
Sydney Biennale, SUPERPOSITION: Art of Equalibrium and Engagement, Sydney, Australia

Again and Against, Hamburger Kunsthalle, Hamburg
Field Guide, Remai Modern, Saskatoon, Canada
The Trick Brain, Aishti Foundation, Lebanon
Junge Sammlungen 04: The Vague Space. Sammlung Christian Kaspar Schwarm, Weserburg Museum für moderne Kunst, Bremen
Children’s Games, ADN Collection, Bolzano
WheredoIendandyoubegin – On Secularity, 9th Göteborg International Biennial for Contemporary Art (GIBCA), Göteborg
Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok
Wither the Winds, The Malmö Art Academy, at the occasion of Lund University’s 350th Jubilee, Lundskonsthal, Lund
Duett mit Künstlerin, Museum Morsbroich, Leverkusen
Wherever the Wind Carries, Lunds Konsthall, Lund
Medusa – Bijoux et tabous, Musée d’Art Moderne de la Ville de Paris
California-Pacific Triennial: Building As Ever, Orange County Museum of Art, Newport Beach, USA
MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, Lever House, New York, USA
Lesson Ø, National Museum of Modern and Contemporary Art, Gwacheon, South Korea
Duddell’s x Biennale of Sydney. Abstraction of the World, Duddell’s, Hong Kong
Soil and Stones, Souls and Songs, Para Site, Hong Kong, China
Haegue Yang, mezzaterra11 – flat gallery, Belluno
Condo, dépendance at Maureen Paley, London

Heterotopias. Avant-gardes in Contemporary Art, Museum of Modern and Contemporary Art and Aubette 1928, Strasbourg
Looks Good on Paper, Singapore Tyler Print Institute, Singapore
The Grand Balcony, La Biennale de Montreal, Montreal
Ad Intérieurs, à l’Univers des collectionneurs, La Monnaie de Paris, Paris
Das Loch, Künstlerhaus Bremen, Bremen
Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles
Public to Private: Photography in Korean Art since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea
Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain
Presently, neugerriemschneider, Berlin
Daily Formalism, Mabsociety, Shanghai, China
Yoko Ono: LUMIÈRE DE L’AUBE, The Museum of Contemporary Art Lyon, Lyon
gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht
MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver
kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco

Mobile M+: Live Art, M+, Hong Kong, China
The Malady of Death: Écrire and Lire, commissioned by M+ for Mobile M+: Live Art, Hong Kong
The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane,Australia
Office Space, Yerba Buena Center for the Arts, San Francisco
Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle
Remember Lidice, Edition Block, Berlin
La vie moderne, 13th Biennale de Lyon, Lyon
J’adore, Kunsthalle Lingen, Lingen
Future Light, MAK – Austrian Museum for Applied Arts/Contemporary Art, Vienna
Passing Leap, Hauser & Wirth, New York
Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York
As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore
After Babel, Moderna Museet, Stockholm
Absolute Collection Guideline, Sifang Art Museum, Nanjing, China
Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York
Works on Paper, Greene Naftali, New York
Fiber: Sculpture 1960-present, Des Moines Art Center, Iowa, USA
Temporary Permanent, Galerie Wien Lukatsch, Berlin
Feminismen, Nordsternturm Videoart Center, Gelsenkirchen
Suppleness and Rigidity – The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg
The past, the present, the possible, Sharjah Biennale 12 , Sharjah, UAE
Man in the Mirror, Vanhaerents Art Collection, Brussels
360°: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart

Music Palace contemporary Art and Music, Villa Empain, Brussels
Double Life, Contemporary Arts Museum Houston
Fiber: Sculpture 1960-present, ICA Boston, USA
The Great Acceleration, Taipei Biennial 2014
Ghosts, Spies, and Grandmothers, SeMA Biennale Mediacity Seoul 2014, Seoul, Korea
Light Night, Wallspace, New York
Don’t You Know Who I Am? Art After Identity Politics, Museum van Hedendaagse Kunst Antwerpen, Antwerp
Objectology – Design and Art, National Museum of Modern and Contemporary Art, Gwacheon, South Korea
Histories I – Works from the Serralves Collection, Fundação de Serralves, Porto
The Part In The Story Where A Part Becomes A Part Of Something Else,
Witte de With Center for Contemporary Art, Rotterdam
Salon distingué – Hausrat in guter Gesellschaft, Museum Langmatt, Baden
Man in the Mirror, Vanhaerents Art Collection, Brussels
KUB Collection Showcase – New Acquisitions from Ai Weiwei to Zobernig, Kunsthaus Bregenz, Bregenz
The Hawker, dépendance at Carlos/Ishikawa, London, UK

I KnOw YoU, Irish Museum of Modern Art, Dublin
Sammlung Haubrok bei Falckenberg – No Desaster, Sammlung Falckenberg, Hamburg

Dislocation, Daegu Art Museum, South Korea
Museum für Gegenwartskunst, Siegen
Gertrude Contemporary Museum, Melbourne
Inside Out and from the Ground Up, Museum of Contemporary Art Cleveland (MOCA), Cleveland
TBK, dépendence, Brussels
Glasgow Sculpture Studios, Glasgow
Urdaibai Art, the first biennial of art, nature and urbanism, Urdaibai Natural Reserve, Gernika, Bermeo, Spain
Superbody, Galerie Chantal Crousel, Paris
Soundworks, Institute of Contemporary Arts, London
dOCUMENTA (13), Kassel, Germany
Orchesterwechsel – 10 Jahre Sammlung Rheingold, Schloss Dyck, Jüchen
An Exhibition of a Study on Knowledge, Forum Stadtpark, Graz
The Touch of Life, Galerie Anita Beckers, Frankfurt am Main
Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm
How Physical, The Yebisu International Festival for Art & Alternative Visions 2012, Tokyo Metropolitan Museum of Photography, Tokyo
DLA Was / For You, Muzeum Sztuki, Lodz, Poland

City within the City, Artsonje Center, Seoul, South Korea (travels to Gertrude Contemporary, Melburn, Australia, 2012)
The Grand Domestic Revolution – User’s Manual, Casco – Office for Art, Design and Theory, Utrecht
Monument Valley (Jaegerspris revisited – a Hommage to Johannes Wiedewelt), UFO, Berlin
Berlin 2000-2011. Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo
D’un autre Monde, Le Printemps de Septembre, Toulouse
Kunst und Philosophie, n.b.k. – Neuer Berliner Kunstverein, Berlin
Tell Me Tell Me: Australian and Korean Art 1976-2011, National Art School Gallery, Sydney
The Spiral and the Square. Exercises on Translatability, Bonniers Konsthall, Stockholm (travels to Trondheim Kunstmuseum, Trondheim, Norway; SKMU, Sørlandets Kunstmuseum, Kristiansand, Norway)
Folding: The Art of Simplicity, KCDF Gallery, Seoul, South Korea
Open Days, Le Consortium, Dijon
Nach Abschluss der Reise, KW Institute of Contemporary Art, Berlin
A Wedding, Para/Site Art Space, Hong Kong, China
Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles
Air Hole: Another Conceptualism from Asia, The National Museum of Art, Osaka, Japan

Watchmen, Liars, Dreamers, Le Plateau, Frac Île-de-France, Paris
10000 Lives, 8th Gwangju Biennale, Gwangju, South Korea
Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland
Urban Origami, PM Gallery & House, London
The Pursuer, Greene Naftali Gallery, New York
The New Décor, Hayward Gallery, London (traveled to: Garage CCC – Center for Contemporary Culture, Moscow, Russia).
Oh! Masterpieces, Gyeonggi Museum of Modern Art, Ansan, South Korea
Like Eskimo Space, 1857, Oslo
Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin
Open Light in Private Spaces, Biennale for International Light Art Ruhr. 2010, Unna, Germany
After Architects, Kunsthalle Basel, Basel
Intro Motion Ditch, Art Sheffield, S1 Artspace, Sheffield
Self as disappearance, Centre d’Art Contemporain, La Synagogue de Delme, Delme

Zeigen. Eine Audiotour durch Berlin, Temporäre Kunsthalle Berlin, Berlin
UNDER COVER I – special editions in books, boxes & rolls, Galerie Barbara Wien, Berlin
From the Gathering, Helen Pitt Gallery, Vancouver
Horizontale Durchlässigkeiten, Alte Fabrik, Rapperswil, Switzerland
Monument to Transformation, City Gallery Prague, Prague (traveled to: Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain)
Sequelism Part 3: Possible, Probable, or Preferable Futures, Arnolfini, Bristol
Everything, then, passes between us, Kölnischer Kunstverein, Cologne
Your Bright Future: 12 Contemporary Artists from Korea, LACMA – Los Angeles County Museum of Art, Los Angeles (traveled to: The Museum of Fine Arts, Houston, USA).
Making Worlds, 53rd International Art Exhibition, Venice Biennale, Venice
Pop Up!, Ludwig Forum für Internationale Kunst, Aachen
Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Victoria, Canada

If we can’t get it together, The Power Plant, Toronto, Canada
27 november – 21 january, 2009, dépendance, Brussels
50 Moons of Saturn, 2nd Torino Triennale, Turin
The Twentyfirst, Silver Shed, New York
Zeitblick. Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland 1998-2008, Martin-Gropius-Bau, Berlin
Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, Brasil
Akademie Schloss Solitude, Stuttgart, Germany
Farewell to Post-Colonialism. The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China
The Krautcho Club / In and Out of Place, Galerie im Regierungsviertel, Berlin (traveled to: 176 Gallery, London)
Eurasia. Geographic cross-overs in Art, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto
LESS, haubrokshows, Berlin
Life On Mars, 55th Carnegie International, Pittsburgh, USA
Global EurAsia, Art Cologne, Cologne
run run, Collins Gallery, Glasgow (commissioned by Glasgow International)
Open / Invited e v+ a 2008 – too early for vacation, e v+ a – exhibition of visual art, Limerick, Ireland
Der grosse Wurf – Faltungen in der Gegenwartskunst, Museum Haus Lange / Kaiser Wilhelm Museum, Krefeld, Germany
Von dem was dann noch bleibt, Nassauischer Kunstverein, Wiesbaden
Interfacing Practices, Galerie Magnus Müller, Berlin
freunde und bekannte, Sparwasser HQ, Berlin
Wessen Geschichte, Kunstverein Hamburg, Hamburg

Anyang Public Art Project (APAP), Anyang, South Korea
Off Pages, The Bookmakers SQ.MT., Turin
If I can’t dance, I don’t want to be part of your Revolution, Edition II, Episode IV: Feminist Legacies and Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp
Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp
Tomorrow, Artsonje Center & Kumho Museum, Seoul, South Korea
Brave New Worlds, Walker Art Center, Minneapolis, USA (traveled to: Fundación/Colección Jumex, Mexico City, Mexico)
Something Mr. C can’t have, KIAF, Coex Hall, Seoul, South Korea
Micro Narratives, 48th October Salon, Belgrade, Serbia
Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin
RE-DIS-PLAY – Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Heidelberger Kunstverein, Heidelberg
Flash Cube, Leeum, Samsung Museum of Art, Seoul, South Korea
Imagine Action, Lisson Gallery, London
Made in Germany, Kestnergesellschaft, Hanover; Sprengel Museum, Hanover and Kunstverein Hannover, Hanover
PRAGUEBIENNALE 3, Prague, Czech Republic
Brennschluss, Galerie Andreas Huber, Vienna
Kunstpreis der Böttcherstrasse 2007, Kunsthalle Bremen, Bremen
dépendance at Galerie Neu, Galerie Neu, Berlin
Modelle für Morgen: Köln, European Kunsthalle, Cologne
Mandla Reuter, Haegue Yang, Flaca, London
Break through to Grey Room, Casabarata, Kasbah Museum, Tangier, Morocco
STADTanSICHTen. Seoul: Räume, Menschen, ifa-Galerie Stuttgart (traveled to: ifa-Galerie Berlin, Institut für Auslandsbeziehungen, Berlin, Germany).

Political Design, Design of Politics, Zero One Design Centre, Seoul, South Korea
Personal Affairs. Neue Formen der Intimität, Museum Morsbroich, Leverkusen, Germany
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Edition II: Feminist Legacies and Potentials in Contemporary Practice, De Appel, Amsterdam
Como Viver Junto – How to Live Together, 27. Biennale São Paulo, São Paulo
Pigment Piano Marble, Maipú, Buenos Aires, Argentina
e-flux Video Rental, Mücsarnok Kunsthalle Budapest, Budapest, Hungary 2006; Arthouse Texas, Texas, Austin, USA, 2006; Carpenter Center for the Visual Arts, Cambridge / MA, USA, 2007; Centre Culturel Suisse, Paris, France, 2007; CAMJAP, Lissabon, Portugal, 2008; and Fondazione Giuliani, Rom, Italy, 2010
Haubrokworks – Sounds of Silence, Galerie Gisela Capitain, Cologne

Lichtkunst aus Kunstlicht, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Punkt und Linie, Fläche und Raum, Overbeck-Gesellschaft, Lübeck, Germany
Schnur im Nebel, Doppelzimmer, Gießen, Germany

Steaming away from the Places, Sangmyung University Museum, Seoul, South Korea
D-Freezone. Site 2: Korean Express, in the frame of 5th Gwangju Biennale, Gwangju, South Korea
This is not a Love Letter, Marronnier Art Center, Seoul, South Korea
Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin
Liquidation totale, dépendance, Brussels
XS: An Invitational Exhibition, f a projects, London
Documents, Seoul Metropolitan Museum of Arts (currently Seoul Museum of Art), Seoul, South Korea
Chasm, 3rd Busan Biennale, Busan, South Korea
Mix Max, Artsonje Center, Seoul, South Korea

From Dust to Dusk – International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen
Hermès Korea Missulsang, Artsonje Center, Seoul, South Korea
Make It New, Portikus in Kooperation mit Dresdner Kleinwort Wasserstein, Frankfurt a.M.
Demirrorized Zone, de Appel, Amsterdam
Türme Babylons, Landesmuseum Mainz, Mainz

Subtiles élégances, La Galerie, Centre d’art contemporain, Noisy-le-Sec
The Fall, Galleri Christina Wilson, Copenhagen
Kunst und Technik, Mannheimer Kunstverein, Mannheim
Cité des Ondes, Cienquième Manifestation Internationale Vidéo et Art Électronique, Champ Libre, Montreal, Canada.
40 Jahre: Fluxus und die Folgen, Wiesbadener Kunstsommer, Wiesbaden, Germany
Manifesta 4, European Biennial of Contemporary Art, Frankfurt a.M.
P_A_U_S_E, 4th Gwangju Biennale, Gwangju, South Korea
New Tendencies in Korean Art: Paradise Among Us, Marronnier Art Center (currently: Arko Art Center), Seoul, South Korea
BLINK, Artsonje Center, Seoul, South Korea
Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, KW Institute of Contemporary Art, Berlin
Ssamzie Studio 3, Ssamzie Space, Seoul, South Korea

1 Site – 2 Places, project room, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
KunstPraxis, Siemens Arts Program, Munich
Invisible Touch, Artsonje Center, Seoul, South Korea
We’re not here to give you pleasure, rraum 02, Frankfurt a.M. (traveled to: rraum 03, Protoacademy, Edinburgh; G39, Cardiff; Galerie Art & Essai, Rennes)
VIP’s Union, VIP Lounge, 6th Art Forum Berlin, Berlin
Tirana Biennale 1: Escape, Tirana, Albania
Zu Gast, Bellevue-Saal, Wiesbaden, Germany
Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt a.M.
Lunchtime of Necktie Force, The Posco Museum, Seoul, South Korea

Art or Design, Seoul Arts Center, Seoul, South Korea
Café Helga & Galerie Goldankauf, Kunstraum München, Munich
Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella

Gegendarstellung, Manufaktur, Frankfurt a.M.
Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt a.M.
Seoul in Media: Food, Clothing, Shelter, Seoul Museum of Art, Seoul, South Korea
Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon
I-20, with Caroline Krause, Galerie Konstantin Adamopoulos, Frankfurt a.M.

Selected Public Collections

Bristol’s Museums, Galleries & Archives, Bristol
Carnegie Museum of Art, Pittsburgh
Explum, Murcia
Galerie für Zeitgenössische Kunst, Leipzig
Kulturstiftung des Bundes, Halle an der Saale
Kunsthalle Hamburg
Leeum, Samsung Museum of Art, Seoul
Los Angeles County Museum of Art, Los Angeles
Museum of Modern Art, New York
Muzeum Sztuki, Lodz
Sammlung Haubrok, Berlin
Solomon R. Guggenheim Museum, New York
The Museum of Fine Arts, Houston, Texas
Walker Art Center, Minneapolis, Minnesota
Westfälisches Landesmuseum, Münster
Zabludowicz Collection

Grants and Awards

The Republic of Korea Cultural and Arts Award (Presidential Citation) in the Visual Arts Sector, South Korea
Wolfgang Hahn Prize, Germany

Public Art Competition for Malmö Live, Sweden

Cremer Prize awarded by the Stiftung Sammlung Cremer, Germany

Bâloise Art Prize awarded by the Hamburger Kunsthalle, Germany