Born 1982, Friedberg, Germany
Lives and works in Frankfurt am Main, Germany


2002–2008 Städelschule Frankfurt am Main, Germany
2006 Glasgow School of Art, Scotland

Solo Exhibitions

, WIELS, Brussels, Belgium (upcoming)

Das Investment
, Galerie Neu, Berlin, Germany

The Traveling Legends of The Morecorns
, Greene Naftali, New York, USA

Unform, Artists Space, New York, USA

Great White Fear, Galerie Neu, Berlin, Germany

GLOBAL WARNINGS!, dépendance, Brussels, Belgium

High in Amsterdam, The Sky of Amsterdam, Stedelijk Museum, Amsterdam, Netherlands
Jana Euler, Cabinet, London, UK

Female Jesus crying in public, Gallery Neu, Berlin, Germany
In It, Portikus, Frankfurt, Germany

Where the Energy Comes From, Bonner Kunstverein, Bonn, Germany
Where the Energy Comes From, Kunsthalle Zürich, Zürich, Switzerland
IN, dépendance, Brussels, Belgium

When expectations meet needs, Cabinet, London, UK
Outside Inside Sensibility, Whitney Museum of American Art, New York, USA
(with Stewart Uoo) – curated by Jay Sanders
Jana Euler, Galerie Neu, Berlin, Germany

Under Abstraction, Cubitt, London, UK
SOTOSO, Brussels, Belgium
Jana Euler, Real Fine Arts, New York, USA

Art-O-Rama, Marseille, France (with Nicolas Ceccaldi)

Form follows information exchange, dépendance, Brussels, Belgium

Ambition Universe, Pro Choice, Wien, Austria

Borderline, Schnittraum, Köln, Germany

Sexpressionismus, 1822 Forum, Frankfurt am Main, Germany

The Glasgow period, Garage space, Glasgow, Scotland

Group Exhibitions

Território #5: Two Faces Have I,
Galeria Fidelidade Arte, Lisbon, Portugal

Channeling, MMK, Frankfurt am Main, DE
Suncrush, Greene Naftali, New York, USA
Ugly Painting
(organized by Eleanor Cayre and Dean Kissick), Nahmad Contemporary, New York, USA
On Living - With Taste, dépendance, Brussels, Belgium
Capturing the Moment,
Tate Modern, UK

Fun Feminism
, Kunstmuseum Basel, Basel, Switzerland
The Milk of Dreams, curated by Cecilia Alemani, 59th International Art Exhibition of La Biennale di Venezia, Venice, Italy

Stretching the Body, Fondazione Sandretto Re Rebaudengo, Turin, Italy
Zeros + Ones, KW Institute for Contemporary Art, Berlin, Germany
STOP PAINTING, Fondazione Prada, Venice curated by Peter Fischl
Boy Vereecken: Back Matter
, Museum of Contemporary Art of Rome, Rome, Italy

Painterly – From Warhol and Twombly to Today – Paintings from The Museum Brandhorst, Neues Museum, Nuremberg, Germany
Wagnis der Oeffentlichkeit,
Halle für Kunst Lüneburg, Lüneburg, Germany
Arrangement in Gray – 25th anniversary of Greene Naftali New York
, Galerie Chantal Crousel, Paris, France
Traits d’union.s – Manifesta 13,
Musée Grobet-Labadié, Marseille, France
J U N E,
dépendance, Brussels, Belgium
Forever Young – 10 Jahre Museum Brandhorst: “SPOT ON”: Jana Euler & Thomas Eggerer
, Museum Brandhorst, Munich, Germany

Maskulinitäten, A cooperation between Bonner Kunstverein, Kölnischer Kunstverein and Kunstverein für die Rheinlande und Westfalen, Dusseldorf, Germany
Museum, Museum MMK, Frankfurt am Main, Germany
Performing Society: The Violence Of Gender, JC Contemporary Tai Kwun, Hong Kong, China
J A N U A R Y, dépendance, Brussels, Belgium

The Vitalist Economy of Painting, Galerie Neu, Berlin – curated by Isabelle Graw
Sitting Bone, MAVRA, Berlin, Germany
True Luxury… Art Acquisitions 2012-2018, Stedelijk Museum, Amsterdam, Netherlands
Painting Now and Forever Part III, Greene Naftali, Matthew Marks, New York, USA
Optik Schroeder II, mumok, Vienna, Austria

in awe, Kunsthalle Exnergasse, Vienna, Austria
The Absent Museum, WIELS, Brussels, Belgium
Zeitgeist, Mamco, Geneva, Switzerland
INFECTED FOOT, Greene Naftali, New York, USA

Incorporated!, 5th edition of the Ateliers de Rennes – Biennale d’art contemporain, Rennes, France
Die Marmory Show III, Guilty Pleasures, Deborah Shamoni, München – curated with Eva Birkenstock
Painting 2.0, Mumok, Vienna, Austria

Painting 2.0, Museum Brandhorst, Munich, Germany
Unrealism, Moore Building, Miami, USA
organized by Deitch Projects and Gagosian Gallery
Better than de Kooning, Villa Merkel, Galerien Der Stadt Esslingen, Germany
JUNE: A Painting Show, Sadie Coles, London, UK
Inhuman, Fridericianum, Kassel, Germany
OO Inflatables, Robert miller Gallery, New York, USA
Open Source, Art at the Eclipse of Capitalism, Galerie Max Hetzler, Berlin, Germany
Call and Response, Gavin Brown`s Enterprise, New York, USA

The Hawker, dépendance at Carlos Ishikawa, London, UK
Works from selected collections, Art&Language, Lukas Duwenhögger, Jana Euler, Ian Hamilton Finlay, Yngve Holen, Andreas Slominski, Philippe Thomas and Danh Vo, MD72, Berlin, Germany
Coming of Age for Ages, Halle für Kunst, Lüneburg, Germany

Door Between Either And Or, Kunstverein München, Munich, Germany
Kappen, Hard Hat, Geneva, Switzerland
ReSiDuE, Wiels, Brussels, Belgium
Nassauischer Kunstverein, Wiesbaden, Germany
A top-hat, a monocle, and a butterfly, Etablissement d’en Face, Brussels, Belgium
I knOw yoU, Irish Museum of Modern Art, Dublin, Ireland
Chat-Jet – Malerei, Künstlerhaus Halle für Kunst & Medien, Graz, Austria
Restlessness in the Barn, Nassauischer Kunstverein, Wiesbaden, Germany

No Helps, MD72, Berlin, Germany

Thomas Bayrle kuratiert (ungern) Schrippenkönig mit p?, Galerie Mezzanin, Vienna – curated by Thomas Bayrle
Flaca, Portikus, Frankfurt, Germany – curated by Tom Humphreys
Freaks and Geeks, Air de Paris, Paris, France – curated by castillo/corrales
Real Fine Arts, New York, USA

Isomopolis, etablissement d’en face, Brussels, Belgium

Camp David, White Hotel, Brussels, Belgium
Städelmuseum, Frankfurt am Main, Germany
Boxer, Literaturhaus, Frankfurt/Main, Germany
Jana Euler und Anrei Koschmieder pendeln aus Nicolas Ceccaldi, Manuel Gnam, Lena Henke, Max Kober, Anne Speier, Phil., Theol. Hochschule Sankt Georgen, Frankfurt am Main, Germany

Jana Euler and Michaela Eichwald, Egypted, Wien Lawsalt, Glasgow, Scotland
Die Mädchen singen, Kobbe, Frankfurt am Main, Germany

Beast or dressed like a beast, Flaca, London, UK

Everything in Particular, Acme, Los Angeles, USA
Winter is Back Show, Nizza Transfer, Frankfurt am Main, Germany

Kumpelnest, Berlin, Germany

Hinterconti, Hamburg, Germany

Selected Bibliography

Euler, Jana, Where the energy comes from, Ex. Catalogue, Kunsthalle Zürich/Bonner Kunstverein, 2017.

Lorch, Catrin „Die Sonne geht auf. Die Sonne geht unter“, Süddeutsche Zeitung, 21 January 2016.
Hafner, Hans-Jürgen, „Jana Euler“, Frieze d/e, Issue 23, Spring 2016
Robecchi, Michele, „Jana Euler“, Vitamin P3 - New Perspectives in Painting, Phaidon, 2016.
Herbert, Martin „Jana Euler“, Artforum, March 2016, pp. 288–289.

„Züngelnde Herzen: Jana Euler im Frankfurter Portikus“, Frankfurter
Allgemeine Zeitung, 12 Dec. 2015, p. 46.
Hess, Barbara, „Aus der Ecke gemalt. Barbara Hess über Jana Euler im Bonner Kunstverein“, Texte zur Kunst, Issue n°97, March 2015.

Hunt, Andrew, „Jana Euler“, Frieze, Issue 168, Jan – Feb 2015.
Buhr, Elke, „Blind kommt ein Männlein heraus“, Monopol Magazin, September 2014.
Glauner, Max „Jana Euler - Where the Energy Comes From“, Kunstforum International, Band 229, 2014.

Reisman, David, „The Social Network“, Texte zur Kunst, ISSUE NO. 87, 2012.
Graw, Isabelle, „Social Realism“, Artforum, November 2012, pp. 234–240.
Müller, Dominikus, „Work, Paint, Ask Questions“, Frieze d/e, n°6, 2012, pp. 110–111.

Ceccaldi, Nicolas, „Jana Euler, Form Follows Information Exchange“, MAY Revue, n°6, 2011.