Format refusal without a complete breakout.
The end of the bathtub series. Seriality is dead, smoking, or shy.
In is a part of Independence.
Black lines are filled with paint in a view of Brussels: the Palace of Justice with a dark tall stranger sitting in a cafe.
In contrast to this, the beer is painted without a glass and with no lines, just the inner material.
But the shape of it is one of beer in a glass.
In trying to treat both the structure and the filling separately, both are inevitably reunited by the main window of Dependance or the lens of a camera.
Who carries whom, and who is still able to crawl? These are questions which in the best case do not just lead back to one subject.
Jana: How do you feel? Different?